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The Power of Passion and Perseverance. Secrets and Lies in a Silicon Valley Startup. The missing names from Matthew would require an additional two folios.
The second list fragment, on folio 26, contains about a fourth of the list for Luke. The list for Luke would require an additional three folios.
The structure of the quire in which folio 26 occurs is such that it is unlikely that there are three folios missing between folios 26 and 27, so that it is almost certain that folio 26 is not now in its original location.
There is no trace of the lists for Mark and John. The first list fragment is followed by the canon tables of Eusebius of Caesarea. These tables, which predate the text of the Vulgate, were developed to cross-reference the Gospels.
Eusebius divided the Gospel into chapters and then created tables that allowed readers to find where a given episode in the life of Christ was located in each of the Gospels.
The canon tables were traditionally included in the prefatory material in most mediaeval copies of the Vulgate text of the Gospels.
The tables in the Book of Kells, however, are almost unusable because the scribe condensed the tables in such a way as to make them confused. In addition, the corresponding chapter numbers were never inserted into the margins of the text, making it impossible to find the sections to which the canon tables refer.
The reason for the omission remains unclear: The Breves causae and Argumenta belong to a pre-Vulgate tradition of manuscripts.
The Breves causae are summaries of the Old Latin translations of the Gospels and are divided into numbered chapters. These chapter numbers, like the numbers for the canon tables, are not used on the text pages of the Gospels.
It is unlikely that these numbers would have been used, even if the manuscript had been completed, because the chapter numbers corresponded to old Latin translations and would have been difficult to harmonise with the Vulgate text.
The Argumenta are collections of legends about the Evangelists. The Breves causae and Argumenta are arranged in a strange order: This anomalous order mirrors that found in the Book of Durrow, although in the latter instance, the misplaced sections appear at the very end of the manuscript rather than as part of a continuous preliminary.
Abbott to the conclusion that the scribe of Kells had either the Book of Durrow or a common model in hand. The Book of Kells contains the text of the four Gospels based on the Vulgate.
It does not, however, contain a pure copy of the Vulgate. Although such variants are common in all the insular Gospels, there does not seem to be a consistent pattern of variation amongst the various insular texts.
Evidence suggests that when the scribes were writing the text they often depended on memory rather than on their exemplar.
The manuscript is written primarily in insular majuscule with some occurrences of minuscule letters usually e or s.
The text is usually written in one long line across the page. Hand A, for the most part, writes eighteen or nineteen lines per page in the brown gall-ink common throughout the West.
Hand B has a somewhat greater tendency to use minuscule and uses red, purple and black ink and a variable number of lines per page.
Hand C is found throughout the majority of the text. Hand C also has greater tendency to use minuscule than Hand A. Hand C uses the same brownish gall-ink used by hand A and wrote, almost always, seventeen lines per page.
There are a number of differences between the text and the accepted Gospels. In the genealogy of Jesus , which starts at Luke 3: The lavishly decorated opening page of the Gospel according to John in the Book of Kells had been deciphered by George Bain as: The text is accompanied by many full-page miniatures , while smaller painted decorations appear throughout the text in unprecedented quantities.
The decoration of the book is famous for combining intricate detail with bold and energetic compositions. The characteristics of the Insular manuscript initial, as described by Carl Nordenfalk, here reach their most extreme realisation: The kinetic energy of their contours escapes into freely drawn appendices, a spiral line which in turn generates new curvilinear motifs Earlier manuscripts tend toward more narrow palettes: As is usual with Insular work, there was no use of gold or silver leaf in the manuscript.
The pigments for the illustrations, which included red and yellow ochre, green copper pigment sometimes called verdigris , indigo, and possibly lapis lazuli ,  would have been imported from the Mediterranean region and, in the case of the lapis lazuli, from northeast Afghanistan.
The lavish illumination programme is far greater than any other surviving Insular Gospel book. There are ten surviving full-page illuminations including two evangelist portraits , three pages with the four evangelist symbols , a carpet page , a miniature of the Virgin and Child , a miniature of Christ enthroned, and miniatures of the Arrest of Jesus and the Temptation of Christ.
There are thirteen surviving full pages of decorated text including pages for the first few words of each of the Gospels.
Eight of the ten pages of the canon tables have extensive decoration. It is highly probable that there were other pages of miniature and decorated text that are now lost.
In addition to these major pages, there are a host of smaller decorations and decorated initials throughout the text; in fact only two pages have no decoration.
The extant folios of the manuscript start with the fragment of the glossary of Hebrew names. This fragment occupies the left-hand column of folio 1r.
A miniature of the four evangelist symbols, now much abraded, make up the right-hand column. The miniature is oriented so that the volume must be turned ninety degrees to view it properly.
The unity of the Gospels is further emphasised by the decoration of the Eusebian canon tables. The canon tables themselves inherently illustrate the unity of the Gospels by organising corresponding passages from the Gospels.
The Eusebian canon tables normally require twelve pages. In the Book of Kells, the makers of the manuscript planned for twelve pages folios 1v through 7r but for unknown reasons, condensed them into ten, leaving folios 6v and 7r blank.
This condensation rendered the canon tables unusable. The decoration of the first eight pages of the canon tables is heavily influenced by early Gospel Books from the Mediterranean, where it was traditional to enclose the tables within an arcade as seen in the London Canon Tables.
The four evangelist symbols occupy the spaces under and above the arches. The last two canon tables are presented within a grid. This presentation is limited to Insular manuscripts and was first seen in the Book of Durrow.
The remainder of the book is broken into sections with the divisions set off by miniatures and full pages of decorated text. Each of the Gospels is introduced by a consistent decorative programme.
The preliminary matter is treated as one section and introduced by a lavish decorative spread. In addition to the preliminaries and the Gospels, the "second beginning" of the Gospel of Matthew is also given its own introductory decoration.
The preliminary matter is introduced by an iconic image of the Virgin and Child folio 7v. This miniature is the first representation of the Virgin in a Western manuscript.
Mary is shown in an odd mixture of frontal and three-quarter pose. This miniature also bears a stylistic similarity to the carved image on the lid of St.
The iconography of the miniature may derive from an Eastern or Coptic icon. The miniature of the Virgin and Child faces the first page of text and is an appropriate preface to the beginning of the Breves Causae of Matthew, which begins Nativitas Christi in Bethlem the birth of Christ in Bethlehem.
The beginning page folio 8r of the text of the Breves Causae is decorated and contained within an elaborate frame.
The two-page spread of the miniature and the text makes a vivid introductory statement for the prefatory material. The opening line of each of the sections of the preliminary matter is enlarged and decorated see above for the Breves causae of Luke , but no other section of the preliminaries is given the same level of treatment as the beginning of the Breves Causae of Matthew.
The book was designed so that each of the Gospels would have an elaborate introductory decorative programme. Each Gospel was originally prefaced by a full page miniature containing the four evangelist symbols, followed by a blank page.
Then came a portrait of the evangelist which faced the opening text of the Gospel which was given an elaborate decorative treatment. The Gospel of Mark is missing the Evangelist portrait but retains its Evangelist symbols page folio v.
The Gospel of Luke is missing both the portrait and the Evangelist symbols page. The Gospel of John, like the Gospel of Matthew, retains both its portrait folio v, see at right and its Evangelist symbols page folio v.
It can be assumed that the portraits for Mark and Luke and the symbols page for Luke at one time existed but have been lost.
The decoration of the opening few words of each Gospel was lavish. These pages were, in effect, turned into carpet pages.
The decoration of these texts is so elaborate that the text itself is almost illegible. The opening page folio 29r of Matthew may stand as an example.
See illustration at left. The page consists of only two words: Liber generationis "The book of the generation".
The lib of Liber is turned into a giant monogram which dominates the entire page. The er of Liber is presented as an interlaced ornament within the b of the lib monogram.
Generationis is broken into three lines and contained within an elaborate frame in the right lower quadrant of the page.
The entire assemblage is contained within an elaborate border. The border and the letters themselves are further decorated with elaborate spirals and knot work , many of them zoomorphic.
The opening words of Mark, Initium evangelii "The beginning of the Gospel" , Luke, Quoniam quidem multi , and John, In principio erat verbum "In the beginning was the Word" , are all given similar treatments.
Although the decoration of these pages was most extensive in the Book of Kells, these pages were decorated in all the other Insular Gospel Books.
The Gospel of Matthew begins with a genealogy of Jesus. This "second beginning" to Matthew was given emphasis in many early Gospel Books, so much so that the two sections were often treated as separate works.
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