Das süße Leben (Originaltitel: La dolce vita) ist ein Schwarzweißfilm von Federico Fellini aus dem Jahr In den Hauptrollen sind Marcello Mastroianni. Deutsch-Niederländisch-Übersetzung für "La Dolce Vita" ▷ 1 passende Übersetzungen ✓ 0 alternative Vorschläge für "La Dolce Vita" ✓ Mit Satzbeispielen. Übersetzungen für Dolce vita im Italienisch» Deutsch-Wörterbuch von PONS Online:dolce, dolce come il miele, comprare molti rendere la vita difficile a qu.
La Dolce Vita Deutsch VideoLa dolce vita (1960)Ganzer’Film [German] Stream HD/./. on-line And when I saw the movie right after Mastroianni died, I thought that Fellini and Marcello had taken a moment of discovery and made it immortal. A woman disappears during a Mediterranean boating trip. Archived from the original on 2 December A small-time thief steals a car and impulsively murders das nächste spiel von deutschland motorcycle policeman. Marcello eventually chooses neither journalism, nor literature. That night, the event is broadcast over Italian ein muss and television. Archived kalender t-online the original on 1 June Many barca real sky the men are homosexual. Archived from the original on 22 January A businessman finds himself trapped at a brasilien copa america and threatened by women en masse. Frequently Asked Questions Q: In Fava and Vigano, p. With Paparazzo, they go to the Cha-Cha-Cha Club where Marcello introduces his father to Fanny, a beautiful dancer and one of his past girlfriends he had promised to get casino f picture in the paper, but failed to do it.
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A harried movie director retreats into his memories and fantasies. A series of comedic and nostalgic vignettes set in a s Italian coastal town.
The Nights of Cabiria City of Women A businessman finds himself trapped at a hotel and threatened by women en masse.
Juliet of the Spirits A series of disjointed mythical tales set in first century Rome. Edit Cast Cast overview, first billed only: Marcello Rubini Anita Ekberg Maddalena as Anouk Aimee Yvonne Furneaux Fanny as Magali Noel Alain Cuny Il padre di Marcello Walter Santesso Frankie Stout Mino Doro Edit Details Official Sites: Italian English French German.
Edit Did You Know? Trivia Yvonne Furneaux was offered the role of Sylvia, but her husband turned it down. Goofs In the castle, Marcello lights a match to view some ancestral paintings.
I want to make love! Alternate Versions In the original American release, distributed by American International Pictures, the titles open with the AIP logo and appear over a shot of the sky with clouds.
When originally released, censors in several countries trimmed certain scenes, including the orgy near the end of the film.
Frequently Asked Questions Q: What is the English translation of the title "La dolce vita"? Thematically he opted for the life of excess and popularity by officially becoming a publicity agent.
Journalist Marcello and a photographer named Paparazzo follow in a second helicopter. The symbolism of Jesus, arms outstretched as if blessing all of Rome as it flies overhead, is soon replaced by the profane life and neo-modern architecture of the "new" Rome, founded on the economic miracle of the late s.
The delivery of the statue is the first of many scenes placing religious icons in the midst of characters demonstrating their "modern" morality, influenced by the booming economy and the emerging mass-consumer life.
The most common interpretation of the film is a mosaic, its parts linked by the protagonist, Marcello Rubini, a journalist.
Interrupting the seven episodes is the restaurant sequence with the angelic Paola; they are framed by a prologue Jesus over Rome and epilogue the monster fish giving the film its innovative and symmetrically symbolic structure.
Other critics disagree, Peter Bondanella argues that "any critic of La Dolce Vita not mesmerized by the magic number seven will find it almost impossible to organize the numerous sequences on a strictly numerological basis".
The critic Robert Richardson suggests that the originality of La Dolce Vita lies in a new form of film narrative that mines "an aesthetic of disparity".
The encounters build up a cumulative impression on the viewer that finds resolution in an "overpowering sense of the disparity between what life has been or could be, and what it actually is".
In a device used earlier in his films, Fellini orders the disparate succession of sequences as movements from evening to dawn. Also employed as an ordering device is the image of a downward spiral that Marcello sets in motion when descending the first of several staircases including ladders that open and close episodes.
Highly expressive throughout, Fellini seems to change the tone according to the subject matter of each episode, ranging from expressionist caricature to pure neo-realism.
Though not as great as Chaplin , Eisenstein or Mizoguchi , Fellini is unquestionably an author rather than a director. The film is therefore his and his alone As each new episode begins, the camera is already in motion using complicated movements.
Frequently, however, these sinuous movements are brutally punctuated by a very simple documentary shot, like a quotation written in everyday language.
In fact, the film has no proper structure: He has an uncanny eye for finding the offbeat and grotesque incident, the gross and bizarre occurrence that exposes a glaring irony.
He has, too, a splendid sense of balance and a deliciously sardonic wit that not only guided his cameras but also affected the writing of the script.
In sum, it is an awesome picture, licentious in content but moral and vastly sophisticated in its attitude and what it says.
Movies do not change, but their viewers do. When I saw "La Dolce Vita" in , I was an adolescent for whom "the sweet life" represented everything I dreamed of: When I saw the movie around , Marcello was the same age, but I was 10 years older, had stopped drinking, and saw him not as a role model but as a victim, condemned to an endless search for happiness that could never be found, not that way.
By , when I analyzed the film a frame at a time at the University of Colorado, Marcello seemed younger still, and while I had once admired and then criticized him, now I pitied and loved him.
And when I saw the movie right after Mastroianni died, I thought that Fellini and Marcello had taken a moment of discovery and made it immortal.
From Wikipedia, the free encyclopedia. For other uses, see Dolce Vita disambiguation. Original release poster by Giorgio Olivetti. Giuseppe Amato Angelo Rizzoli.
Set designer Piero Gherardi described his creation as "a kind of huge beast with blobs of plaster all over it like veal tripe.
For eyes I gave it convex enlarging lenses". Archived from the original on 18 January Retrieved 15 February Archived from the original on 28 August Retrieved 5 May Bertelli, Divi e paparazzi: Karen Pinkus, The Montesi Scandal: Archived from the original on 13 September Retrieved 14 March Retrieved 3 August Archived from the original on 21 October Archived from the original on 20 February Retrieved 19 February Archived from the original on 14 March Fava and Vigano, p.
In Fava and Vigano, p. Archived from the original on 3 June Retrieved 28 May Archived from the original on 25 May Archived from the original on 22 January Archived from the original on 12 June Archived from the original on 1 June Archived from the original on 3 January Retrieved 15 January Archived from the original on 20 January The New York Times.
Archived from the original on 4 October Retrieved 3 February Archived from the original on 19 February Archived from the original on 31 March Retrieved 19 January Archived from the original on 2 December Archived from the original on 5 September Retrieved 1 November Archived from the original on 6 November Giulietta Masina wife Paparazzi Fellini: Retrieved from " https: Views Read Edit View history.